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Guerra the autobiographical elements characteristic of Fellini’s work are especially pronounced in this work. In 1974, Fellini made the film Amarcord, based on a novella he wrote with T. His other films include 8Vi (1962), which received the grand prize at the Third International Moscow Film Festival Juliet of the Spirits (1965) Satyricon (1969), based on the novel by Petronius The Clowns (1970), a television film and Roma (1972). Sometimes his films are formally complex and stylized and are dominated by an abstract approach to reality.įellini’s most socially perceptive film is La Dolce Vita (1959). At the same time, irrational, religious strains and a tendency toward universal forgiveness occasionally come through in several of Fellini’s films. The Nights of Cabiria (1956) and subsequent films are emotionally powerful works that reflect the contrasts of contemporary Western society and explore human psychology in a profound and subtle way. La Strada, a film with a moral, vividly communicates a central theme in Fellini’s work-the alienation of people in a bourgeois society. La Strada (1954) brought worldwide recognition to Fellini and G. His first work as a director came with the films The White Sheik (1952) and IVitelloni (1953), for which he wrote the stories and collaborated on the screenplays. Subsequently he assisted in the production of the neorealist film Open City (1945) and other films. At first he wrote stories and screenplays.
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Italian motion-picture director and screenwriter.įellini has been working in motion pictures since 1942. 1969) Fellini: I'm a Born Liar (documentary film dir. Chandler) I, Fellini (1995) his Three Screenplays (tr. See his tape-recorded autobiography (with C. While wandering awestruck under the big top, he hung out with circus folk and wound up tending to a sick zebra. These later works, including Fellini Satyricon (1969), Amarcord (1973 Academy Award), City of Women (1980), Ginger and Fred (1984), and Voices of the Moon (1990), feature international casts of distinctive faces and camera gymnastics that substitute for traditional drama. When he was a young boy, maybe about seven or eight years old, Federico Fellini stole away from home in his small seaside resort town of Remini and joined the circus. Filmed in color beginning with Juliet of the Spirits (1965), his movies became a celebration of life in all its beauties and grotesqueries while also exploring Fellini's wildly imaginative dream life. He enjoyed international acclaim with I Vitelloni (1953), La Strada (1954 Academy Award), Nights of Cabiria (1957 Academy Award), La Dolce Vita (1960), and 8 1-2 (1963 Academy Award), the latter two widely considered his black-and-white masterpieces.
FEDERICO FELLINI FILMS PROFESSIONAL
He began directing in 1950 and quickly abandoned neorealism in favor of professional actors and scripted tales of almost fablelike simplicity that express a basically humanistic outlook. He received numerous awards, including several Oscars, Golden Globes, and Palmes d’Or as well as Japan’s Praemium Imperiale. Click the link for more information.'s Open City and Paisan. Federico Fellini’s acclaimed films include La Dolce Vita, Amarcord, 8 1/2, La Strada, and Satyricon, among many others.
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He first received international attention in 1946 with Open City, which was made clandestinely during the Fascist period and became the key film of the neorealist movement. , 1906–77, Italian film director and producer. After World War II he wrote screenplays for such neorealistic films as Rossellini Rossellini, Roberto After such early works as I vitelloni, Fellini broke away from neorealism’s political strictures with the beloved La strada, and from there boldly explored his obsessions with the circus, societal decadence, spiritual redemption, and, most controversially, women, in such films as Nights of Cabiria, Juliet of the Spirits, and And the Ship Sails On.Fellini, Federico (fādārē`kō fāl-lē`nē), 1920–93, Italian film director. In his early career, Fellini was both a screenwriter for neorealist pioneer Roberto Rossellini and a newspaper caricaturist in postwar Rome, competing influences he would bring together with startling results. While his most popular-and accessible-film, the darkly nostalgic childhood memoir Amarcord, is a great entryway into his oeuvre, 8½, a collage of memories, dreams, and fantasies about a director’s artistic crisis, is perhaps his masterpiece. One of Italy’s great modern directors, Federico Fellini was a larger-than-life maestro who created an inimitable cinematic style combining surreal carnival with incisive social critique.